Use Case
3D UX/UI mockups that scroll inside a laptop and a phone
Full page screenshots scroll inside a 3D laptop, app screens tap on a 3D phone, hotspots link out. One URL that opens in any browser, nothing to install.
3 min
A booker gives your EPK about twenty seconds. What goes on the one-sheet, what waits for the full kit, and how to send it as one link.
A booker opens your link between two other tabs and gives it about twenty seconds. In that time they want to know what you sound like, whether people show up when you play, and who to reply to. Most press kits spend the whole window on a biography that starts in a college dorm.
Everything else is supporting material. If it is not one of those six, it belongs later in the document or nowhere in it.
Most artists build one twelve-page document and send it to strangers. A one-sheet is a single page: photo, two lines of bio, genre, location, one music link, draw stats, contact. The full EPK runs six to twelve pages and adds press quotes, more photography, tour history, the tech rider and the stage plot. Send the short one first. Send the long one when somebody asks for it, and give the rider and the stage plot their own pages in it, because engineers ask for both every time.
Write the bio at three lengths while you are at it. Fifty words for the one-sheet, a hundred and fifty for the EPK, three hundred for whoever ends up writing about you. Lead with what you sound like and who you have played with. The one-sheet earns the reply and the full kit answers it.
Three good quotes beat fifteen mediocre ones, and one line from a publication the booker respects beats ten from blogs they have never opened. Name the outlet and put the date next to it. An undated quote reads as old. If you have no press yet, cut the section instead of padding it with your own posts, because an empty press page costs you nothing and a fake one costs you the booking.
Music inboxes are hostile to attachments from senders they do not know. i3Dify turns the same pages into a flipbook that opens in the browser with nothing to download: a swipe or an arrow key turns the page, the sheet curls the way paper does, and the two sheets either side are already loaded so the turn never stalls on a phone. The first page becomes the thumbnail in the link preview, so the live photo belongs on the cover with your name and genre under it. Feed an existing PDF to the free flipbook converter and you get the link back without redesigning anything.
View counts come with every plan. The heatmaps that show which pages held attention and where people tapped are on the paid plans, so on free you learn that the link was opened and not much more. Free also carries the i3Dify watermark, allows 3 projects and caps storage at 50 MB, which a photo-heavy kit can reach. Pro is 3 dollars a month, removes the branding and turns those heatmaps on.
An EPK goes stale faster than anything else you make, and a kit still listing a tour that ended eighteen months ago says nobody is managing this act. Update it after every notable show and every piece of press, at the same URL, so every booker already holding your link sees the current version. Nobody has to be sent a second email.
Turn your one-sheet into a flipbook.
Genre and location, one live photo, one track or clip, evidence of draw such as recent venues and monthly listeners, availability, and contact details. The full kit adds press quotes with dates, more photography, tour history, and the tech rider and stage plot.
One page when you send it cold. Keep the six to twelve page version for the booker who replies asking for more. Most artists build only the long one, which is why it goes unread.
No. Lead with what you sound like, where you are based, and who you have played with. Write the bio at fifty, a hundred and fifty, and three hundred words, and use each length where it fits.
Three, each with the outlet name and the date. One quote from a publication the booker respects beats ten from blogs they have never opened. With no press yet, omit the section.
Yes. A large attachment from an unknown sender gets filtered or ignored, while a link is one line in the email, opens in the browser, and can be updated at the same URL. View counts come with every plan, and the paid plans add heatmaps showing which pages held attention.
Yes, on its own pages inside the full EPK. Bookers and engineers ask for the rider and stage plot constantly, and having sent them already saves a round trip.
Full page screenshots scroll inside a 3D laptop, app screens tap on a 3D phone, hotspots link out. One URL that opens in any browser, nothing to install.
Pixieset delivers a gallery couples download once. A 3D wedding album is a hardcover with their names on the cover, at one link, from 0 to 3 dollars a month.
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