Use Case
3D UX/UI mockups that scroll inside a laptop and a phone
Full page screenshots scroll inside a 3D laptop, app screens tap on a 3D phone, hotspots link out. One URL that opens in any browser, nothing to install.
3 min
Pixieset delivers a gallery couples download once. A 3D wedding album is a hardcover with their names on the cover, at one link, from 0 to 3 dollars a month.
You cull the wedding down to two hundred frames and hand the couple a gallery link. They sign in once, pull the zip, and forward the URL to whoever asked for files. Six months later that link is buried in a group chat and the only thing anyone still has is a folder on a laptop.
Pixieset built that gallery for proofing and print sales, and it is good at both. It was never meant to be the thing the couple keeps. The album is a different object, a hardcover with their names on it, and i3Dify renders one in the browser from the same selects you already exported.
Every couple who gets a Pixieset link sees the same three things: a grid, a lightbox, a download button. That sameness is correct while the couple is still choosing. A tool should be predictable. It stops being correct the moment the gallery becomes the deliverable, because a download button is an instruction, not an invitation. The mother of the bride opens the link, sees a wall of thumbnails and a prompt to sign in, and closes the tab. Nothing in the container tells her she is looking at a finished thing rather than at your working files.
A 3D wedding album is a book rendered in WebGL. You pick the cover color or a preset gradient, type the names and the date into the cover title, and set the font from a dozen serifs and scripts, so the names can be cut in Great Vibes instead of the default Georgia. Photos auto-paginate at four to a page, and that setting takes one, two, three or six when a spread needs the room. Pages turn on a swipe, a tap, the arrow keys or the dock, and the sheet bends along its spine as it drops onto the pile, so it reads like paper under a thumb rather than like a carousel. Drop a hotspot on a page and a tap opens a caption, a guest name, or a link out. What you hand over is an object, not a folder.
Sharing is a link and, if you want one, a password. Visibility is private, unlisted or public, and on the last two you can put a password on the page, so the couple hands the family a passphrase and anyone else who reaches the URL stops at the gate. It covers the page rather than the image files behind it, so treat it as a courtesy lock. There is no viewer account and no app, so relatives on three continents open the same page on whatever phone they own. The album viewer has no download button, so the link can be open and the files still are not. The share panel holds all of it, including the QR code and the iframe snippet you paste into your portfolio page.
The free plan holds 3 projects and 50 MB, and the viewer always carries the i3Dify pill. That is enough to build one real album and watch how a family reacts to it before you put a paying client on it. Pro is 3 dollars a month: unlimited projects, 10 GB, no branding pill, and per-album view counts. Set that against the deliverable it stands next to. A leather print album runs 200 to 400 dollars wholesale per copy, and Pixieset Lite is 96 dollars a year on top of it.
Three workflows belong there and not here. Print sales through an integrated lab, raw file delivery when the couple needs the originals, and proofing where the client favorites and selects. i3Dify does none of the three and is not trying to. If you sell prints, put a hotspot on an album page pointing at the shop you already run, and keep the gallery upstream where the choosing happens. The album is the last step, after the choosing is done.
What the couple keeps is one link that opens as a book, still there long after the zip went missing on somebody's laptop. Start from the 3D wedding album template.
Yes, and that is the usual setup. Pixieset stays upstream for proofing, favorites and print sales. When the selection round closes, you export the final selects and build the album from them. The two tools never touch the same step of the workflow.
The links keep working. If you cancel Pro you keep it until the end of the billing period, then the account drops to the free plan and your projects and share links stay live there, with the i3Dify branding pill back on the viewer. What the free limits govern is new work: 3 projects and 50 MB.
No. The public URL opens in any browser on any device with no sign-in, which is why a grandparent can get to it from a text message. If you want the album restricted, the restriction is a password you give the family, not an account they have to make.
Yes. Every project gives you an iframe snippet that pastes into any site accepting an HTML embed block. On the free plan the embedded viewer carries the i3Dify pill. Pro at 3 dollars a month removes it.
Most photographers fold the album into the base package instead of listing it as a line item, since a 3 dollar a month project is not worth itemizing. The print album stays as the upsell for couples who want a physical copy, at 200 to 400 dollars wholesale.
Full page screenshots scroll inside a 3D laptop, app screens tap on a 3D phone, hotspots link out. One URL that opens in any browser, nothing to install.
Your MLS export looks like every other agent's. A 3D flipbook keeps the same listing data and changes what the buyer opens on their phone.
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